Jultomten och Metafysik
The year is 4410 and because of the recent years fluctuations in the role of Santa Claus the world have turned questioning not only Christmas but the whole concept of Santa Claus.
Earlier on just some areas about the Christmas gift-bearing have been underlined (such as; can Santa Claus travel faster than light; can Santa Claus travel in time; can Santa Claus afford the gifts for a whole planet's population) but this time a severe crisis were on our hands.
The first question that arrise - following Red Santa's disappearance - was - 'Is there really a Santa Claus?'
This was highly debated both on the street and among scientific scholars but noone could find an answer.
The second question made it even more intricate - following Blue Santa's death and the reinstallment of the former Head Elf as Santa - 'Is there really a Santa Claus when anybody can become a Santa?'
This was highly debated both on the street and among scientific scholars but noone could find an answer but indeed found more intricate questions concerning Santa Claus and Christmas.
One such was - following Frank Fiddleworth's role as Santa Claus - 'Is there really a Santa Claus when anybody can become a Santa and anybody will become a Santa?'
This was highly debated both on the street and among scientific scholars but noone could find an answer but starting to bemoun when Christmas was made topic.
And then another big question hit the Christmas world (with the science world and man on the street-world tagging along) - 'Is there really a Santa Claus when anybody can become a Santa, anybody will become a Santa and anybody is a Santa?' - following the near-anarchy electioning of new Santa Claus' post-Fiddleworth (with 10 new Santa Claus since 4400 (each (almost) one-and-every year)).
But the solution was nearer than one could have winsed - tossing the 500-page papers (1000-pages books and 100's of seminars a year) and whatelse of the world's scholars out of the window bright child Ellie Surrhast (7-years-old) - out there on her physics-lection - find the answer to all of the above questions with 'Yes!'.
Santa Claus was once again rescued.
Ellie Surrhast was yet victorious.
Christmas was once again saved.
Santa Claus was once again victorious.
söndag 26 december 2021
lördag 25 december 2021
Santa Claus i ett förhistoriskt simuleringsperspektiv
Jultomten till Cambodia
The year is 4415 and Peter Johansson's art is once again in the heyday with dala horses covering the north area (of Sweden) and Småland garment performances (and red small semester houses) covering the south parts (of Sweden).
Chhnam nih kuchea chhnam 4415 nowpel del selb boran khmer ban thveu mtong tiet knong pel roungrueng bamphot cheamuoy veayonophond katder chhlak chhlak thm khmok mrksaa khmok kruengoalongkear chonhcheang ning roub khleng.
Then - when Santa Claus enters the story - he founds art practices (Cambodian) well enough to cover the whole of Earth (for the Christmas gift-bearing) but still wants more of the Peter Johansson touch on the artcrafting and so fix to blender Cambodian traditional art with Swedish contemporary art (early 2000 art).
Vea damnaerkar ban la cheamuoynung selb brapeinei khmer del ilauv ban sa mteng (cheapisesa kar sa mteng 'min chalnea') ning dak lk leu phsaar tomneub (veayonophond).
Santa Claus was once again victorious.
And so Christmas was once again saved.
The year is 4415 and Peter Johansson's art is once again in the heyday with dala horses covering the north area (of Sweden) and Småland garment performances (and red small semester houses) covering the south parts (of Sweden).
Chhnam nih kuchea chhnam 4415 nowpel del selb boran khmer ban thveu mtong tiet knong pel roungrueng bamphot cheamuoy veayonophond katder chhlak chhlak thm khmok mrksaa khmok kruengoalongkear chonhcheang ning roub khleng.
Then - when Santa Claus enters the story - he founds art practices (Cambodian) well enough to cover the whole of Earth (for the Christmas gift-bearing) but still wants more of the Peter Johansson touch on the artcrafting and so fix to blender Cambodian traditional art with Swedish contemporary art (early 2000 art).
Vea damnaerkar ban la cheamuoynung selb brapeinei khmer del ilauv ban sa mteng (cheapisesa kar sa mteng 'min chalnea') ning dak lk leu phsaar tomneub (veayonophond).
Santa Claus was once again victorious.
And so Christmas was once again saved.
fredag 24 december 2021
Santa Claus i ett avbrottsabstraktperspektiv
Jultomten med Commercial
Santa Claus is out there on Christmas Day the year of 4405 and is set to deliver some packages to some Greenland inhabitants.
Have you ever wondered why you have insufficient booze? Choose 'Benk' to administer booze to you every day.
'Benk' - Like a bank should work.
Just this Christmas Santa Claus is all over for a deliver to the 'Jollygollyholly Road' but when cueing up for the street he can't find the "recipient".
Have you perhaps growing tired of doing the dishes? Choose 'No' to put an end to the tiresome dishes. Just say 'No' when you're up for the dishes.
Santa Claus so rechecks the address lists compiled by (some of) his elves and in doing so he sees a mistake with the gift-recipient living on 'Jollygolly Road' instead of 'Jollygollyholly Road'.
Have you ever wanted to be a cool dude with cool faint lungs?
Just call 'Börja Röka-linjen' to get tips on how to inhale all the way down your throat, how to cough like a real cool dude and how to get a nicotine kick every time you smoke.
And so Santa Claus delivers his gift to the gift-applicant on 'Jollygolly Road'.
Santa Claus was once again victorious.
Santa Claus is out there on Christmas Day the year of 4405 and is set to deliver some packages to some Greenland inhabitants.
Have you ever wondered why you have insufficient booze? Choose 'Benk' to administer booze to you every day.
'Benk' - Like a bank should work.
Just this Christmas Santa Claus is all over for a deliver to the 'Jollygollyholly Road' but when cueing up for the street he can't find the "recipient".
Have you perhaps growing tired of doing the dishes? Choose 'No' to put an end to the tiresome dishes. Just say 'No' when you're up for the dishes.
Santa Claus so rechecks the address lists compiled by (some of) his elves and in doing so he sees a mistake with the gift-recipient living on 'Jollygolly Road' instead of 'Jollygollyholly Road'.
Have you ever wanted to be a cool dude with cool faint lungs?
Just call 'Börja Röka-linjen' to get tips on how to inhale all the way down your throat, how to cough like a real cool dude and how to get a nicotine kick every time you smoke.
And so Santa Claus delivers his gift to the gift-applicant on 'Jollygolly Road'.
Santa Claus was once again victorious.
onsdag 22 december 2021
Santa Claus i ett eklektiskt gudaperspektiv
Jultomten av 1900-talet
The events is at the dawn of the industrialisation era and Santa Claus have yet recently bought his lot at the North Pole. As he (still; 1901) lacks craftmaking methods he redirects the Christmas giftbearing craft-service to allocated agents around the world (industrialisational agents).
One of the first (for this era) revolutionary Christmas toys (of the craftmaking agencies) was that of (yellow) rubber ducks - which was included in the Christmas giftbearing as soon as it hit Santa Claus.
But everything didn't follow as it was directed with an indie-Santa figure (opposing Santa Claus - the original) (still managing wood toycraft (deindustrializational (means))) experiencing with altenative toys(craft) and soon comes up with (revolutionary) black swanes (wood/hand painted/low supply).
In this manufacturing the wooden black swanes soon hit the (indie)-Christmas market and so negated Santa Claus' (the original) best gifts (the rubber ducks) as black swanes had never been seen before.
But Santa Claus industrializational means soon saw it's foreground (counterattack) with industry-painted toycraft of essentiality in the crafts of God bearing a huge success when inso turning God from a non-visible character to a fully visible (painted) state.
And when all (well, perhaps not all) the world's children could get the black swanes creator as their Christmas toy the market for toycrafted black swanes soon saw its decay.
But when the black swanes could see its creator in the image of God the deindustrializational agent soon countered (-attack) with a toy mini fig. army (wood/hand created/high supply) meaning this could not be the creation of God.
At first; this seemed like a reasonable counter(attack) but the worlds children soon saw a problem in the wood mini figs. in that they where to edgy to fire a weapon and so went not so good with the worlds children (althue the army figs. functioned well as moving pieces in boardgames.)
Then things were all Santa Claus (the original) when so Santa Claus saw to craft mini figs. of a future era (w/ high tech weapons ('Warhammer' (or prehaps an early equivalent))) this newly crafted toy (army) so negated the wood toy army from the deindustrializational "house".
Santa Claus was once again victorious.
The indie-Santa was yet a failure.
And so the industrialisational agents was yet victorious.
And so the deindustrializational house was yet failing.
And so Christmas was once again saved.
The events is at the dawn of the industrialisation era and Santa Claus have yet recently bought his lot at the North Pole. As he (still; 1901) lacks craftmaking methods he redirects the Christmas giftbearing craft-service to allocated agents around the world (industrialisational agents).
One of the first (for this era) revolutionary Christmas toys (of the craftmaking agencies) was that of (yellow) rubber ducks - which was included in the Christmas giftbearing as soon as it hit Santa Claus.
But everything didn't follow as it was directed with an indie-Santa figure (opposing Santa Claus - the original) (still managing wood toycraft (deindustrializational (means))) experiencing with altenative toys(craft) and soon comes up with (revolutionary) black swanes (wood/hand painted/low supply).
In this manufacturing the wooden black swanes soon hit the (indie)-Christmas market and so negated Santa Claus' (the original) best gifts (the rubber ducks) as black swanes had never been seen before.
But Santa Claus industrializational means soon saw it's foreground (counterattack) with industry-painted toycraft of essentiality in the crafts of God bearing a huge success when inso turning God from a non-visible character to a fully visible (painted) state.
And when all (well, perhaps not all) the world's children could get the black swanes creator as their Christmas toy the market for toycrafted black swanes soon saw its decay.
But when the black swanes could see its creator in the image of God the deindustrializational agent soon countered (-attack) with a toy mini fig. army (wood/hand created/high supply) meaning this could not be the creation of God.
At first; this seemed like a reasonable counter(attack) but the worlds children soon saw a problem in the wood mini figs. in that they where to edgy to fire a weapon and so went not so good with the worlds children (althue the army figs. functioned well as moving pieces in boardgames.)
Then things were all Santa Claus (the original) when so Santa Claus saw to craft mini figs. of a future era (w/ high tech weapons ('Warhammer' (or prehaps an early equivalent))) this newly crafted toy (army) so negated the wood toy army from the deindustrializational "house".
Santa Claus was once again victorious.
The indie-Santa was yet a failure.
And so the industrialisational agents was yet victorious.
And so the deindustrializational house was yet failing.
And so Christmas was once again saved.
onsdag 15 december 2021
Santa Claus i ett historiskt konceptperspektiv
Jultomten på 1800-talet
1832. Santa Claus finds his way with relative ease surving the upper classes of London with (romantic) poets helping him in the rhyme-making - until ultimately a psychiatric plague hit the poets ('Dead Rhyming Society') which saw the available poets (for the Christmas giftbearing) reducted to a near null value.
In desperate needs; with his rhyme-making severly reducted Santa Claus so sought out to start delivering packages to the middle- and lower classes of London. Doing so Santa felt that about the rhymes he could craft them on his own (as they only needed to fit with the lower classes) ('No Need For All My Poets Evendo They Left For S(o)witz (Switzerland)').
But when some poets started to revolutionize England using their poetry as a language skilled reductant for taking over the government ('Where Are All My Poetry Could They Have Left Out Of Cruelty') Santa Claus started to second-thought his new directive.
Bad times were evenso more in the making when the new revolutionized government started to lobby for a 'deletion' of Santa Claus giftbearing ('All Hell With Your Rhyming Skills Use Them As Your Flaming Bills').
Santa Claus rescue so; suddenly (quite); came with the creation of the art world (Santa Claus so) using romantic painting and poems as Christmas gifts leaving space to use and reuse poetry with new agents (skilled poets) without the poets leaving to uphall the government.
Santa Claus was once again victorious.
The revolutionary poets was yet a failure.
And so the artworld (w/ the new poets) was yet saved.
And so Christmas was once again saved.
1832. Santa Claus finds his way with relative ease surving the upper classes of London with (romantic) poets helping him in the rhyme-making - until ultimately a psychiatric plague hit the poets ('Dead Rhyming Society') which saw the available poets (for the Christmas giftbearing) reducted to a near null value.
In desperate needs; with his rhyme-making severly reducted Santa Claus so sought out to start delivering packages to the middle- and lower classes of London. Doing so Santa felt that about the rhymes he could craft them on his own (as they only needed to fit with the lower classes) ('No Need For All My Poets Evendo They Left For S(o)witz (Switzerland)').
But when some poets started to revolutionize England using their poetry as a language skilled reductant for taking over the government ('Where Are All My Poetry Could They Have Left Out Of Cruelty') Santa Claus started to second-thought his new directive.
Bad times were evenso more in the making when the new revolutionized government started to lobby for a 'deletion' of Santa Claus giftbearing ('All Hell With Your Rhyming Skills Use Them As Your Flaming Bills').
Santa Claus rescue so; suddenly (quite); came with the creation of the art world (Santa Claus so) using romantic painting and poems as Christmas gifts leaving space to use and reuse poetry with new agents (skilled poets) without the poets leaving to uphall the government.
Santa Claus was once again victorious.
The revolutionary poets was yet a failure.
And so the artworld (w/ the new poets) was yet saved.
And so Christmas was once again saved.
onsdag 8 december 2021
Santa Claus i ett framtidsreseperspektiv
Jultomten i Framtiden (Very Far)
The days of glory and trust for high discourse is long gone (6000) and both the art world; the teology world; and the science world is on the brink of imploding (annihilation). The science world had long saught after a grand unified theory but instead found themselves with a 500-page equation that could not be solved by anynone scientist - the key (singular (?)) art piece for these days is the 'This Is The Art World' (combined art worlds) (all of them (!)) and God have been merged with Muhammad (teology world).
If this wasn't enough Santa Claus' beard now saw a more plentyful counterpart within Muhammad and so he took over the Christmas giftbearing business - although; much to Santa Claus' prevail; the key singular art piece saught our Christmas giftbearers (giftbearing) in automode auto-delivering this piece to everyone (giftapplicants).
Next up - in the year of 6050 - the mathematical equation designed to proove everything and nothing (at the same time) - was now 1000-pages long (and still unsolved) - the art world's newest trend was 'This Could Have Been The Art World' (found art worlds) - and the teology world had been taken over by vampires feasting on the blood samples in the church communions. Santa Claus found a way out of even this as he started to deliver blood vessels from samplings and so everybody (giftapplicants) could now get their preferred blood type (as in their Christmas wishlist).
6100 is so upon us - with evermore trouble - as of a 1500-pages long equation (science world) - 'This Will Never Be The Art World' (installation art worlds) - and God's place (temporarily (??)) taken over by a Fake God with moustache. The most of world's population had so undergone a 'white trash'-transformation only to see Santa Claus revert this back with his straight trimmer Christmas gift (so that everyone could trim their moustache).
And so 6150 arose and with it 2000-pages long equations; 'This Has Never Been The Art World' (land art worlds); and God reembodyfied in a large oak tree (as distinguished from embodyfication in every living plant and being). Santa so; yearning for this large oak tree; started to extract bark from it and delivering bark boats to all living giftapplicants.
Like dust and dawns growing upon us the institutional break is ever so dark (6200) with 3000-pages long equations and singular (?!) art pieces of 'This Is Not The Art World' (anti-art worlds) and; on top of that; God started to slack (with the installation of an answering machine (to name one example)). Santa Claus so; as a way of finding a way through this anti-art declaration; was trying to hook up with God but found only his answering machine replying for him.
Like day and sunshine growing upon us the institutional break soon saught a way forward with the help of Santa Claus. After leaving several unreplied notes on God's answering machine Santa Claus grew more schizoid and left a psychotic message on God's phone in an attempt of getting a reply - and so w/ God's approval Santa Claus installed the art piece 'Santa's Theorem' (v=sk/t) (conceptual performance art world text-composition) (6250) which solved the now 4000-pages long equation.
Santa Claus was once again victorious.
And so Christmas (and the art world; teology world; and science world) was once again saved.
The days of glory and trust for high discourse is long gone (6000) and both the art world; the teology world; and the science world is on the brink of imploding (annihilation). The science world had long saught after a grand unified theory but instead found themselves with a 500-page equation that could not be solved by anynone scientist - the key (singular (?)) art piece for these days is the 'This Is The Art World' (combined art worlds) (all of them (!)) and God have been merged with Muhammad (teology world).
If this wasn't enough Santa Claus' beard now saw a more plentyful counterpart within Muhammad and so he took over the Christmas giftbearing business - although; much to Santa Claus' prevail; the key singular art piece saught our Christmas giftbearers (giftbearing) in automode auto-delivering this piece to everyone (giftapplicants).
Next up - in the year of 6050 - the mathematical equation designed to proove everything and nothing (at the same time) - was now 1000-pages long (and still unsolved) - the art world's newest trend was 'This Could Have Been The Art World' (found art worlds) - and the teology world had been taken over by vampires feasting on the blood samples in the church communions. Santa Claus found a way out of even this as he started to deliver blood vessels from samplings and so everybody (giftapplicants) could now get their preferred blood type (as in their Christmas wishlist).
6100 is so upon us - with evermore trouble - as of a 1500-pages long equation (science world) - 'This Will Never Be The Art World' (installation art worlds) - and God's place (temporarily (??)) taken over by a Fake God with moustache. The most of world's population had so undergone a 'white trash'-transformation only to see Santa Claus revert this back with his straight trimmer Christmas gift (so that everyone could trim their moustache).
And so 6150 arose and with it 2000-pages long equations; 'This Has Never Been The Art World' (land art worlds); and God reembodyfied in a large oak tree (as distinguished from embodyfication in every living plant and being). Santa so; yearning for this large oak tree; started to extract bark from it and delivering bark boats to all living giftapplicants.
Like dust and dawns growing upon us the institutional break is ever so dark (6200) with 3000-pages long equations and singular (?!) art pieces of 'This Is Not The Art World' (anti-art worlds) and; on top of that; God started to slack (with the installation of an answering machine (to name one example)). Santa Claus so; as a way of finding a way through this anti-art declaration; was trying to hook up with God but found only his answering machine replying for him.
Like day and sunshine growing upon us the institutional break soon saught a way forward with the help of Santa Claus. After leaving several unreplied notes on God's answering machine Santa Claus grew more schizoid and left a psychotic message on God's phone in an attempt of getting a reply - and so w/ God's approval Santa Claus installed the art piece 'Santa's Theorem' (v=sk/t) (conceptual performance art world text-composition) (6250) which solved the now 4000-pages long equation.
Santa Claus was once again victorious.
And so Christmas (and the art world; teology world; and science world) was once again saved.
onsdag 1 december 2021
Santa Claus i ett afterlife-in-art-konstperspektiv
Santa Claus i ett afterlife-in-art-konstperspektiv
The year is 4425 and Santa Claus (Red Santa) have yet arrived in this world - pushing the newly elected Santa Claus of the throne (and reinstall himself as the permanent Santa Claus) and rehiring Frank Fiddleworth as his Head Elf - after a 100 years (although the timeline of events in Narnia showed a five year expendible) hiatus in an alternate version of Narnia.
As Santa Claus (Red Santa) prolonged in Narnia he showed of new ways of increasing his wealth (in time for his ascending of the Santa Claus-throne in this world) - including betting on the type of snowfall that would become under execution - betting on brown snowfall (instead of white (or purple)).
The new world of these ages saw global unity (no borderlines between countries (all countries united as one)) and the art world being reinstalled as a way of a meta-institution; allowing art to be used as a way of transgressing from one institution to another. This new art was dubbed psycho-social art with 'Anna Odell's' 'Okänd, Kvinna 2009-349701' (2009) (psychiatry world to the art world) and 'Mark Wallinger's' 'A Real Work Of Art' (1994) (toto world to the art world) as foreground markers of this new future art.
This story revolves around this new art practices as a way of resolving Christmas in this new time as for example in 'Lina Wellground's' 'Much More Merrier' (psycho-social) (3539) with Lina singing 'Jingle Bells' dressed in an administration costume this way transgressing from the region world to the Christmas world.
Lina so - now being under the (control of the) Christmas world (and perhaps wanted to take the throne as Santa Claus) - so renewed the Christmas sitcom (4089) with Santa Claus (under this new threat of not being taken serious) reworking the Christmas sitcom to that of an artpiece; 'Secondary Shooting' (minimalistic psycho-social) (4159) and in this transgressed from the television world (and once again) to the Christmas world.
Lina's counterattack was soon to be at the sorroundings with the attempt of getting into the workings of the Christmas world once again using her brother - 'James Peacan' (a reknowned chef) - to try and elevate him to the Christmas world - and by thus being able to concrete the meals and dinner for Christmas. The (experiment) went not quite so good when 'James Peacan' with 'The Magic Of Vegetables' took the application of the chef world. Lina then tried to submerge to the Christmas world with 'The Magic Of Mushrooms' (adapted psycho-social) (4328) but all it did was to elevate Lina to the television-chef world layering out magic mushrooms in the hallways of the morning television food block.
Lina's answer so came swiftly with her (use) of an improved repertoire with church songs (joining a church choir w/ Christmas scenary) - and reinstigation of the psycho-social art practice with 'Art Hall Church' (mass psycho-social) (4415) - with plans to retake the Christmas world (Christmas throne) in a new transgressive institutional piece (art piece) - with the intention to let Christmas songs (and psalms) be sang with a mass population (which Lina then could use as agents helping her in the reforming of Christmas) in an art setting (art hall) - just to see the outlet of Christmas songs being minimalistic (or not at all) after Red Santa ((main) Santa Claus) got a cold and was forced to go his Christmas-bearing without Christmas songs - and instead Lina would hear her sang only church psalms (albeit in an art hall) and retransgress (alongside a mass population) from the teology world to the art world.
And so; the one new way for Lina to reenter the Christmas world came with the art piece 'Inter-Dimensional Portal' (assisted psycho-social) ('Sven Dunkard') (4480) with short labels (stories) used as a tool to elevate into a new institution (short stories figurating upon their protagonists in this new setting then entered in the art piece (inter-dimensional portal) for interpretation and so submerging their subjects main institutional setting). Lina's way into this was to sing her coordinates to her new (proposed) settings - only to backfire with her joining an evil doll choir (world) instead of the Christmas world.
Next so; with Lina's next attempt of submerging into the Christmas world; came with 'Anarchist's Anonymous' (essential psycho-social) ('Stan Montgomery') (4502). The only thing you now needed for an institutional transgression was to enter an event of Anarchist's Anonymous and state dye bidding as from an alien institution (seeking a new institution) ('Hi, my name is 'Lina Wellground' - and I am (a) Santa Claus'). The way with this new "device" of institutional transgression thue; was that many many more used it (with its easy-to-use apparatus (practice)) and so many many more turned Santas (a Santa) - and so 'Lina Wellground' became just one of many many Santas and so deemed no real threat to Santa Claus ((main) Red Santa).
Frank Fiddleworth was yet a failure.
Lina Wellground was yet a failure.
Santa Claus (Red Santa) was once again victorious.
And so the artworld was once again saved.
And so Christmas was once again saved.
The year is 4425 and Santa Claus (Red Santa) have yet arrived in this world - pushing the newly elected Santa Claus of the throne (and reinstall himself as the permanent Santa Claus) and rehiring Frank Fiddleworth as his Head Elf - after a 100 years (although the timeline of events in Narnia showed a five year expendible) hiatus in an alternate version of Narnia.
As Santa Claus (Red Santa) prolonged in Narnia he showed of new ways of increasing his wealth (in time for his ascending of the Santa Claus-throne in this world) - including betting on the type of snowfall that would become under execution - betting on brown snowfall (instead of white (or purple)).
The new world of these ages saw global unity (no borderlines between countries (all countries united as one)) and the art world being reinstalled as a way of a meta-institution; allowing art to be used as a way of transgressing from one institution to another. This new art was dubbed psycho-social art with 'Anna Odell's' 'Okänd, Kvinna 2009-349701' (2009) (psychiatry world to the art world) and 'Mark Wallinger's' 'A Real Work Of Art' (1994) (toto world to the art world) as foreground markers of this new future art.
This story revolves around this new art practices as a way of resolving Christmas in this new time as for example in 'Lina Wellground's' 'Much More Merrier' (psycho-social) (3539) with Lina singing 'Jingle Bells' dressed in an administration costume this way transgressing from the region world to the Christmas world.
Lina so - now being under the (control of the) Christmas world (and perhaps wanted to take the throne as Santa Claus) - so renewed the Christmas sitcom (4089) with Santa Claus (under this new threat of not being taken serious) reworking the Christmas sitcom to that of an artpiece; 'Secondary Shooting' (minimalistic psycho-social) (4159) and in this transgressed from the television world (and once again) to the Christmas world.
Lina's counterattack was soon to be at the sorroundings with the attempt of getting into the workings of the Christmas world once again using her brother - 'James Peacan' (a reknowned chef) - to try and elevate him to the Christmas world - and by thus being able to concrete the meals and dinner for Christmas. The (experiment) went not quite so good when 'James Peacan' with 'The Magic Of Vegetables' took the application of the chef world. Lina then tried to submerge to the Christmas world with 'The Magic Of Mushrooms' (adapted psycho-social) (4328) but all it did was to elevate Lina to the television-chef world layering out magic mushrooms in the hallways of the morning television food block.
Lina's answer so came swiftly with her (use) of an improved repertoire with church songs (joining a church choir w/ Christmas scenary) - and reinstigation of the psycho-social art practice with 'Art Hall Church' (mass psycho-social) (4415) - with plans to retake the Christmas world (Christmas throne) in a new transgressive institutional piece (art piece) - with the intention to let Christmas songs (and psalms) be sang with a mass population (which Lina then could use as agents helping her in the reforming of Christmas) in an art setting (art hall) - just to see the outlet of Christmas songs being minimalistic (or not at all) after Red Santa ((main) Santa Claus) got a cold and was forced to go his Christmas-bearing without Christmas songs - and instead Lina would hear her sang only church psalms (albeit in an art hall) and retransgress (alongside a mass population) from the teology world to the art world.
And so; the one new way for Lina to reenter the Christmas world came with the art piece 'Inter-Dimensional Portal' (assisted psycho-social) ('Sven Dunkard') (4480) with short labels (stories) used as a tool to elevate into a new institution (short stories figurating upon their protagonists in this new setting then entered in the art piece (inter-dimensional portal) for interpretation and so submerging their subjects main institutional setting). Lina's way into this was to sing her coordinates to her new (proposed) settings - only to backfire with her joining an evil doll choir (world) instead of the Christmas world.
Next so; with Lina's next attempt of submerging into the Christmas world; came with 'Anarchist's Anonymous' (essential psycho-social) ('Stan Montgomery') (4502). The only thing you now needed for an institutional transgression was to enter an event of Anarchist's Anonymous and state dye bidding as from an alien institution (seeking a new institution) ('Hi, my name is 'Lina Wellground' - and I am (a) Santa Claus'). The way with this new "device" of institutional transgression thue; was that many many more used it (with its easy-to-use apparatus (practice)) and so many many more turned Santas (a Santa) - and so 'Lina Wellground' became just one of many many Santas and so deemed no real threat to Santa Claus ((main) Red Santa).
Frank Fiddleworth was yet a failure.
Lina Wellground was yet a failure.
Santa Claus (Red Santa) was once again victorious.
And so the artworld was once again saved.
And so Christmas was once again saved.
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