Santa Claus i ett afterlife-in-art-konstperspektiv

Santa Claus i ett afterlife-in-art-konstperspektiv

The year is 4425 and Santa Claus (Red Santa) have yet arrived in this world - pushing the newly elected Santa Claus of the throne (and reinstall himself as the permanent Santa Claus) and rehiring Frank Fiddleworth as his Head Elf - after a 100 years (although the timeline of events in Narnia showed a five year expendible) hiatus in an alternate version of Narnia.

As Santa Claus (Red Santa) prolonged in Narnia he showed of new ways of increasing his wealth (in time for his ascending of the Santa Claus-throne in this world) - including betting on the type of snowfall that would become under execution - betting on brown snowfall (instead of white (or purple)).

The new world of these ages saw global unity (no borderlines between countries (all countries united as one)) and the art world being reinstalled as a way of a meta-institution; allowing art to be used as a way of transgressing from one institution to another. This new art was dubbed psycho-social art with 'Anna Odell's' 'Okänd, Kvinna 2009-349701' (2009) (psychiatry world to the art world) and 'Mark Wallinger's' 'A Real Work Of Art' (1994) (toto world to the art world) as foreground markers of this new future art.

This story revolves around this new art practices as a way of resolving Christmas in this new time as for example in 'Lina Wellground's' 'Much More Merrier' (psycho-social) (3539) with Lina singing 'Jingle Bells' dressed in an administration costume this way transgressing from the region world to the Christmas world.

Lina so - now being under the (control of the) Christmas world (and perhaps wanted to take the throne as Santa Claus) - so renewed the Christmas sitcom (4089) with Santa Claus (under this new threat of not being taken serious) reworking the Christmas sitcom to that of an artpiece; 'Secondary Shooting' (minimalistic psycho-social) (4159) and in this transgressed from the television world (and once again) to the Christmas world.

Lina's counterattack was soon to be at the sorroundings with the attempt of getting into the workings of the Christmas world once again using her brother - 'James Peacan' (a reknowned chef) - to try and elevate him to the Christmas world - and by thus being able to concrete the meals and dinner for Christmas. The (experiment) went not quite so good when 'James Peacan' with 'The Magic Of Vegetables' took the application of the chef world. Lina then tried to submerge to the Christmas world with 'The Magic Of Mushrooms' (adapted psycho-social) (4328) but all it did was to elevate Lina to the television-chef world layering out magic mushrooms in the hallways of the morning television food block.

Lina's answer so came swiftly with her (use) of an improved repertoire with church songs (joining a church choir w/ Christmas scenary) - and reinstigation of the psycho-social art practice with 'Art Hall Church' (mass psycho-social) (4415) - with plans to retake the Christmas world (Christmas throne) in a new transgressive institutional piece (art piece) - with the intention to let Christmas songs (and psalms) be sang with a mass population (which Lina then could use as agents helping her in the reforming of Christmas) in an art setting (art hall) - just to see the outlet of Christmas songs being minimalistic (or not at all) after Red Santa ((main) Santa Claus) got a cold and was forced to go his Christmas-bearing without Christmas songs - and instead Lina would hear her sang only church psalms (albeit in an art hall) and retransgress (alongside a mass population) from the teology world to the art world.

And so; the one new way for Lina to reenter the Christmas world came with the art piece 'Inter-Dimensional Portal' (assisted psycho-social) ('Sven Dunkard') (4480) with short labels (stories) used as a tool to elevate into a new institution (short stories figurating upon their protagonists in this new setting then entered in the art piece (inter-dimensional portal) for interpretation and so submerging their subjects main institutional setting). Lina's way into this was to sing her coordinates to her new (proposed) settings - only to backfire with her joining an evil doll choir (world) instead of the Christmas world.

Next so; with Lina's next attempt of submerging into the Christmas world; came with 'Anarchist's Anonymous' (essential psycho-social) ('Stan Montgomery') (4502). The only thing you now needed for an institutional transgression was to enter an event of Anarchist's Anonymous and state dye bidding as from an alien institution (seeking a new institution) ('Hi, my name is 'Lina Wellground' - and I am (a) Santa Claus'). The way with this new "device" of institutional transgression thue; was that many many more used it (with its easy-to-use apparatus (practice)) and so many many more turned Santas (a Santa) - and so 'Lina Wellground' became just one of many many Santas and so deemed no real threat to Santa Claus ((main) Red Santa).

Frank Fiddleworth was yet a failure.

Lina Wellground was yet a failure.

Santa Claus (Red Santa) was once again victorious.

And so the artworld was once again saved.

And so Christmas was once again saved.